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Book Review: Atomic Habits (James Clear)

B. Kline — Mon, 10 Nov 2025 00:21:06 +0000

Book Review: Atomic Habits by James Clear

I finally got around to Atomic Habits, but instead of reading it, I went with the audiobook version — which, for a book about systems, structure, and personal rhythm, actually worked pretty well. James Clear has a smooth, steady delivery that makes the material easy to digest during commutes, walks, or while doing absolutely anything else you’re trying to turn into a “habit.”

Overall, I found Atomic Habits to be a genuinely positive, practical, and well-packaged guide to incremental improvement. Clear excels at breaking down why small changes matter, and the principles — identity-based habits, habit stacking, and reducing friction — are solid, intuitive, and broadly applicable. There’s a reason this book sits on so many bestseller lists and gets recommended endlessly: the content is accessible, actionable, and encouraging without being preachy.

Atomic Habits by James Clear

Libby

Libby is a wonderful resource. If you have a library card and a smart phone, you can get access to hundreds, if not thousands, of free audiobooks through the app. Even better, is some very large libraries – such as the Philadelphia Library – offer free library cards no matter where in the world you live and therefore you then have access to their full audiobook library via Libby. I cannot recommend this enough for long car rides, chores at home, etc. Its how I’ve gotten up to nearly 200 books read for the year.

Book Review

This is the book blurb via GoodReads:

The instant New York Times bestseller. Over 1 million copies sold!

Tiny Changes, Remarkable Results

No matter your goals, Atomic Habits offers a proven framework for improving–every day. James Clear, one of the world’s leading experts on habit formation, reveals practical strategies that will teach you exactly how to form good habits, break bad ones, and master the tiny behaviors that lead to remarkable results.

If you’re having trouble changing your habits, the problem isn’t you. The problem is your system. Bad habits repeat themselves again and again not because you don’t want to change, but because you have the wrong system for change. You do not rise to the level of your goals. You fall to the level of your systems. Here, you’ll get a proven system that can take you to new heights.

Clear is known for his ability to distill complex topics into simple behaviors that can be easily applied to daily life and work. Here, he draws on the most proven ideas from biology, psychology, and neuroscience to create an easy-to-understand guide for making good habits inevitable and bad habits impossible. Along the way, readers will be inspired and entertained with true stories from Olympic gold medalists, award-winning artists, business leaders, life-saving physicians, and star comedians who have used the science of small habits to master their craft and vault to the top of their field.

Learn how to:
– make time for new habits (even when life gets crazy);
– overcome a lack of motivation and willpower;
– design your environment to make success easier;
– get back on track when you fall off course;
…and much more.

Atomic Habits will reshape the way you think about progress and success, and give you the tools and strategies you need to transform your habits–whether you are a team looking to win a championship, an organization hoping to redefine an industry, or simply an individual who wishes to quit smoking, lose weight, reduce stress, or achieve any other goal.

–GoodReads Back of the Book Blurb

That said, I did come away with a bit of skepticism. Not in the sense that the book is wrong, but more that it sometimes oversimplifies. Many of the examples feel polished to the point of being almost too neat, too convenient. Real-life change is often messier than the frameworks suggest, and the book occasionally feels like it’s smoothing the edges a little too much. There’s also an element of repetition — the core ideas are strong, but they’re stretched over more chapters than they truly need.

One of the things I did appreciate, though, was how flexible the methods are. Clear doesn’t lock you into a rigid system or a one-size-fits-all routine. Instead, he lays out principles you can adapt to your own life. For someone juggling work, personal projects, parenting, or whatever else life throws at you, having a modular approach is refreshing. It’s less “follow these exact steps” and more “here’s how habits work; now apply the pieces that make sense.”

The storytelling aspect is also one of the book’s strengths. Even when I found some examples a little too smooth, they’re undeniably memorable. Clear has a knack for weaving in psychology, personal anecdotes, sports stories, and business cases in a way that keeps the material from feeling dry. Listening to the audiobook gave these stories a bit more punch, and it helped keep my attention even during moments where the core message repeated itself.

Where the book fell short for me — and why I hover around a 3.5/5 — is in its depth. It gives you a fantastic overview of habit formation and behavior change, but if you’ve read other titles in this space (Duhigg, Fogg, Newport, etc.), a lot of the ideas will feel familiar. Atomic Habits is an excellent entry point, maybe even the best one, but it’s not necessarily the definitive or final word on the topic. It’s more of a gateway book — a spark that gets you thinking, rather than a deep dive that transforms everything on its own.

Still, for what it aims to be — a motivational blueprint for thinking about how habits shape your life — it absolutely succeeds. I’d recommend it to anyone who’s looking for a gentle push toward better routines or who wants a mental model for incremental change. Listening to it rather than reading gave it a more conversational, almost coaching style that I found effective.

In the end, I’d land at 3.5 out of 5. Useful, inspiring at times, worth the listen — even if I don’t think it’s the all-encompassing life-changer some people make it out to be. It’s a good tool, not a magic wand.

The GoodReads overall rating is currently sitting at a 4.32 (as of 11.9.25).

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Book Review: A Significant Life (Todd May)

B. Kline — Tue, 28 Oct 2025 01:08:59 +0000

Book Review: A Significant Life – Human Meaning in a Silent Universe (Todd May)

First off, Todd May has quickly become one of my favorite philosophers of the present. I first got acquainted with Todd May via the show “The Good Place”. His first work I read was Death, which helped me a lot with my own understandings, feelings, and thoughts about death. Especially around the time of Bart‘s death, and I remember going for a hike at Governor Dick and reading it. This year through AbeBooks I’ve gone and gotten all of his (affordable anyway, there’s a few ones that are 45$ plus shipping and handling, for used copies) works, and been reading them. Alongside my full read through of William Shakespeare and Kurt Vonnegut this year, I’ve also been doing a (nearly) full read through of Todd May. I am planning on posting reviews of the other works as well.

I feel like this review I leaned a bit more cynic and harsh though, but I think the review stands as it does.

A Significant Life by Todd May

A Significant Life

The following is the back of the book blurb on GoodReads:

What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life , philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually a work in progress, a journey—and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Heidegger, he shows us where to find the significance of our in the way we live them.

May starts by looking at the fundamental fact that life unfolds over time, and as it does so, it begins to develop certain qualities, certain themes. Our lives can be marked by intensity, curiosity, perseverance, or many other qualities that become guiding narrative values. These values lend meanings to our lives that are distinct from—but also interact with—the universal values we are taught to cultivate, such as goodness or happiness. Offering a fascinating examination of a broad range of figures—from music icon Jimi Hendrix to civil rights leader Fannie Lou Hamer, from cyclist Lance Armstrong to The Portrait of a Lady ’s Ralph Touchett to Claus von Stauffenberg, a German officer who tried to assassinate Hitler—May shows that narrative values offer a rich variety of criteria by which to assess a life, specific to each of us and yet widely available. They offer us a way of reading ourselves, who we are, and who we might like to be.

Clearly and eloquently written, A Significant Life is a recognition and a comfort, a celebration of the deeply human narrative impulse by which we make—even if we don’t realize it—meaning for ourselves. It offers a refreshing way to think of an age-old question, of quite simply, what makes a life worth living.

A Significant Life by Todd May – GoodReads

Book Review: A Significant Life by Todd May

Todd May sets out to offer an answer—rather than the answer—to the question of life’s meaning, a topic he notes is surprisingly underdeveloped in philosophy. Unfortunately, I found the book largely unsatisfying, and often emblematic of what I think of as “classic philosopher pitfalls.”

For one, May devotes a great deal of time summarizing what long-dead philosophers believed about meaning. But if their ideas were wrong—and May clearly thinks they were—why spend so much of the book rehearsing them? When we teach calculus, we don’t trace every mistaken detour taken before Newton and Leibniz; we teach the useful parts. May also shows little interest in what contemporary science—biology, psychology, evolutionary theory—might contribute to the discussion. That blind spot becomes increasingly glaring.

More puzzling still, May defers the most important chapter—the actual core of his argument—until the very end. The result is a reading experience filled with “But what about…?” questions the book refuses to address until it’s nearly over.

He begins by quickly clearing some expected ground: neither the universe nor God can provide meaning. Fair enough, and it’s well-trodden territory, so I appreciated his brevity. But then nearly a fifth of the book is spent recounting what Aristotle (wrong), Bentham (wrong), and Mill (wrong) thought about meaning. Only one-third of the way in does the book finally begin in earnest, when May turns to Susan Wolf’s 2010 work Meaning in Life and Why It Matters. Everything before this feels like padding.

Wolf proposes a now-influential approach to meaningfulness—note: “meaningfulness,” not “the meaning of life”—summed up in her well-known formula:

Meaning arises when subjective attraction meets objective attractiveness.

It’s an intriguing idea, but I never felt May convincingly defended it. I’ll need to read Wolf directly. In May’s gloss, something is meaningful only when you value it (subjective attraction) and others also see its worth (objective attractiveness). He identifies this social dimension with what he calls “narrative values.”

But is this really “objective attractiveness”? It sounds far more like “whatever our society currently approves of.” And societies are often mistaken. What sense does it make to say, “Her life wasn’t meaningful to her contemporaries, but people centuries later think it was”? Meaning becomes historically and geographically contingent in a way that strains the framework.

May insists that meaningfulness and moral goodness are distinct. One can lead a meaningful life that isn’t morally good—and vice versa. Yet his handling of this distinction is unconvincing. At times, the framework produces absurd results:

A devoted Nazi officer could, by this account, have led a meaningful life—steadfastly committing himself to values his society (however horrifically) deemed admirable.

What does “meaningful life” even mean in that context?

Even May seems aware that his theory struggles to deliver the existential weight he wants it to have. He writes loftily that meaningfulness can

“…give heft to our projects… redeem the arc of our lives…”

and that it might

“…address the haunting fear that there is nothing more to our days than being born, dying, and the land increasing.”

He claims it could spare us from looking back on our lives with “desolation.” Yet why should embodying a narrative value like steadfastness produce any of these effects? Why would it add to the world, or redeem anything? The connection is asserted, not demonstrated.

Eventually May even concedes that meaningfulness isn’t necessary:

People whose lives are not meaningful… have not failed in any duty to themselves or others.

And further:

If someone says, “Not interested,” I would have no complaint… I have no argument for why he should feel obliged to express some narrative value.

If meaningfulness is unnecessary and carries no normative force, then what, exactly, is the point of defining it?

Despite all this, there is a small, compelling thread in May’s reflections. He observes:

We find our meaning not beneath or beyond our lives, but within them.

That seems right. Perhaps the problem is that May tries too hard to make “meaning” conduct more philosophical weight than it can bear. The concept raises deeper questions he never touches: What would it mean for a dog or chimp to lead a meaningful life? When in human evolution would “meaningfulness” have begun to apply? If it emerged gradually, doesn’t that suggest a biologically rooted craving rather than a metaphysical condition? And would a non-tribal species ever agree that “objective attractiveness” — i.e., the approval of the group — is essential to meaning?

These questions linger long after May’s framework has exhausted itself, and they are more thought-provoking than anything his own thesis ultimately puts forward.

My rating on GoodReads is *** out of 5. And on LibraryThing it is a 3.5 out of 5.

The overall average rating on GoodReads is a 3.70 as of 10.27.25.

Todd May

As I said earlier, stay tuned for the other books and works of his to be reviewed. I will interlink them all here.

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Book Review: Siddhartha’s Brain: Unlocking the Ancient Science of Enlightenment (James Kingsland)

B. Kline — Thu, 27 Feb 2025 05:52:23 +0000

Book Review: Siddhartha’s Brain: Unlocking the Ancient Science of Enlightenment (James Kingsland)

In a world increasingly captivated by the promises of mindfulness and meditation, Siddhartha’s Brain: Unlocking the Ancient Science of Enlightenment by James Kingsland offers a timely and illuminating exploration of the intersection between ancient Buddhist wisdom and cutting-edge neuroscience. Blending the life and teachings of the Buddha with contemporary findings on how meditation reshapes the brain, Kingsland crafts a compelling narrative that speaks to both the spiritually curious and the scientifically inclined. This review dives into the book’s key insights, evaluates its accessibility and depth, and recommends similar titles for readers eager to continue the journey inward.

Siddhartha’s Brain by James Kingsland

Book Review: Siddhartha’s Brain

In Siddhartha’s Brain, science journalist James Kingsland embarks on an ambitious journey: to trace the roots of mindfulness and meditation practices back to the Buddha himself, while weaving in modern neuroscience to explain their enduring power. The result is a thoughtful, well-researched, and accessible book that connects ancient wisdom with contemporary science.

Kingsland draws from both the life of Siddhartha Gautama—the man who became the Buddha—and from the latest discoveries in brain science. Through this dual lens, he explores how mindfulness, meditation, and other contemplative practices can rewire the brain, reduce stress, and foster well-being. What sets the book apart is its balance; Kingsland never strays too far into mysticism nor loses himself in technical jargon. Instead, he bridges the two worlds with clarity and care.

The narrative benefits from Kingsland’s journalistic instincts. He grounds the science in real-world stories and anecdotes, making complex ideas feel tangible and relevant. Whether discussing how focused attention strengthens the prefrontal cortex, or how letting go of the “self” concept changes our neural patterns, Kingsland makes a compelling case for why ancient meditative traditions remain so vital in the 21st century.

If there’s any drawback, it might be that readers looking for a deep dive into either Buddhist philosophy or hardcore neuroscience might find it somewhat introductory. However, for those seeking a thoughtful, integrated perspective—one that respects the spiritual while valuing the scientific—Siddhartha’s Brain delivers.

Ultimately, this is a book that not only informs but invites personal reflection. Whether you’re a seasoned meditator, a neuroscience enthusiast, or simply curious about how the mind works, Siddhartha’s Brain offers both insight and inspiration.

Bridging Ancient Wisdom and Modern Neuroscience

Kingsland takes readers on a skillful journey into the ancient teachings of Siddhartha Gautama, while artfully weaving in contemporary neuroscience. Through lucid prose, he explores how meditation and mindfulness restructure neural pathways—enhancing focus, emotional regulation, and even resilience against stress. He connects, for example, focused-attention practices to strengthening prefrontal circuits and discusses how “pain versus suffering” is reframed through a neurological lens. In doing so, Kingsland honors both the spiritual tradition and scientific progress.

Clear, Engaging Storytelling

True to his background as a Guardian science journalist, Kingsland brings anecdotal richness—from clinical studies to real-life meditators. These stories make dense topics like neuroplasticity, the default mode network, and concentration meditation intuitive and relatable. His journalism rigor ensures the science is credible, yet he never sacrifices readability—making the book accessible to novices and intriguing to seasoned practitioners alike .

Balanced Appeal: Spirituality Meets Science

What makes this book stand out is its balanced voice. Kingsland doesn’t lean too heavily into spiritual idealism, nor does he reduce Buddhist insight to mere brain scans. Instead, he holds both perspectives with respect, showing how secular mindfulness and traditional Buddhist concepts like impermanence and non-self complement one another. He explores how these teachings can mitigate conditions ranging from addiction to cognitive decline .

Depth Without Overload

While not a technical neuroscience textbook nor a deep Buddhist treatise, Siddhartha’s Brain finds a sweet spot. Though some readers seeking exhaustive academic detail may feel it’s introductory, that same clarity makes it ideal for anyone curious about the intersection of mind and brain.

Critics Agree—It’s Worth Reading

Critics across mainstream outlets echo this praise:

Publishers Weekly praises its “neurological picture of the mind without devaluing Buddhism’s spiritual image”
Kirkus calls it “brain science and Buddhist lore combine[d] in a compelling treatise”
Library Journal gives it a starred review, citing its readability and integration of science and practice .

GoodReads Rating

My GoodReads Rating: ***
Global GoodReads Rating: 4.10 (out of 1,200 ratings) (as of 2.27.25)

GoodReads “Back of Book Blurb”

The back of the book blurb, according to GoodReads:

By the longtime Guardian science journalist, a groundbreaking exploration of the science of enlightenment and mental wellness, illuminated by twin perspectives, ancient and the spiritual wisdom of Siddhartha Gautama and the revelations of today’s scientists, who are confirming the Buddha’s profound insights into the human mind In the fifth century BCE, in northern India, Siddhartha, the wandering sage who became the Buddha, developed a program, rooted in meditation and mindfulness, for mastering the mind and achieving lasting peace and contentment. Twenty-five centuries later, humans have transformed everything about our world—except our brains, which remain the same powerful yet flawed instruments possessed by our ancestors. What if the solution we seek to the psychological problems of life in the digital age—distraction, anxiety, addiction, loss of deep meaning—had already been worked out by the Buddha in ancient India? Appealing to readers of Eastern wisdom and Jon Kabat-Zinn, as well as to fans of bestsellers by Oliver Sacks and Malcolm Gladwell, acclaimed science writer and practicing Buddhist James Kingsland reveals how scientists are now unlocking the remarkable secrets of Siddhartha’s brain. Moving effortlessly between science and scripture, Kingsland charts Siddhartha’s spiritual journey and explains how new research by leading neuroscientists and clinical psychologists—many of whom are interviewed in these pages—suggests that mindfulness practice reconfigures our brains to make us sharper, smarter, healthier, and happier, and that it can help treat stress, anxiety, depression, chronic pain, hypertension, and substance abuse. There have even been hints that meditation can enhance immune function, slow cellular aging, and keep dementia at bay. Featuring six guided meditations, Siddhartha’s Brain is a practical and inspiring odyssey of mind and spirit. “Our life is shaped by our mind; we become what we think.”—Siddhartha
Siddhartha’s Brain – James Kingsland (GoodReads)

Similar & Recommended Reads

If you enjoyed Siddhartha’s Brain, these titles explore related themes of mindfulness, neuroscience, and the self:

The Art of Living by Thich Nhat Hanh (Goodreads avg 4.42): Gentle wisdom on mindfulness in daily life
The Heart of the Buddha’s Teaching by Thich Nhat Hanh (4.32): A clear guide to Buddhist teachings and how they foster compassion
Zen and the Brain by James H. Austin: A classic that blends Zen practice with in-depth neuroscience
Incognito: The Secret Lives of the Brain by David Eagleman: A compelling exploration of unconscious brain activity, praised for its lucid, engaging style
The Tell-Tale Brain by V.S. Ramachandran: Investigates consciousness, creativity, and neurological disorders through fascinating case studies
The Master and His Emissary by Iain McGilchrist: An illuminating dive into how left and right brain hemispheres influence culture and perception
The Idiot Brain by Dean Burnett: A humorous, entertaining and insightful look at cognitive quirks and brain science

🧘 Final Thoughts

Siddhartha’s Brain shines as a bridge—offering enough neuroscience to engage your curiosity, while retaining the heart and purity of Buddhist wisdom. It invites readers not just to learn, but to experiment with mindfulness in their own lives. With strong reviews, solid science, and spiritual depth, it’s a meaningful addition to anyone’s library on consciousness, meditation, or the mind.

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Book Review: Revenge of She – Punks (Vivien Goldman)

paulrkan — Tue, 06 Aug 2024 13:26:24 +0000

Revenge of She – Punks by Vivien Goldman

She Punks

Paul R. Kan is back today, giving us a review of ‘Revenge of She – Punks‘ by Vivien Goldman. We want to thank Paul for his book reviews, travel reviews, interviews, and other articles he writes for us. (If you want to find more articles written by Paul R. Kan, check out the bottom of this article.)

Book Review – Revenge of the She Punks

Trying to define she-punk, Vivien Goldman tell us, is like “walk[ing] on a rope bridge slung between melting icebergs in high wind.” But taking us across this bridge is what Goldman, the author of Revenge of the She-Punks, does skillfully. In a book where each chapter begins with a playlist that includes artists as varied as The Slits, Delta-5, Blondie, Chrissie Hynde and Grace Jones, we can see why understanding she-punk is a dizzying, exhilarating and, at times, terrifying journey.

Revenge of She Punks

Goldman avoids defining she-punk as sharing common acoustic notes, rhythmic beats or lyrical styles. Instead, she interviewed band members of over forty she-punk groups from the chapters’ playlists to find common themes in their struggles as women and as artists. Challenges of identity, money, love and protest form the core of she-punk and the heart of the book. Female musicians living day-to-day on the margins, then expressing them in music are what the author sees as distinctly “she-punk.”

She-punk songs can “slap as well as stroke.” Acoustics mirror abuse; beats mimic beatings; lyrics echo lust. For example, “The Boiler.” a song by Rhoda Dakar with the Special AKA, recounts a woman’s perspective of her sexual assault. It’s a song that you “have to hear and fear for yourself.”

Bands like The Clash, The Sex Pistols and Green Day couldn’t write—much less perform—she- punk songs like “The Boiler.” Because these bands’ members are men, their experiences were and are different. As Margaret Atwood, author The Handmaid’s Tale, put it: “A woman’s greatest fear is being killed by a man. A man’s greatest fear is being laughed at by a woman.” She-punks show how a man having his greatest fear realized can turn into a woman’s greatest fear.

Fear can be sparked, but moderated, by satire, sarcasm and snark. She-punk songs can work on the lighter side and still make a point. Tribe 8’s “Check Out Your Babe” about lesbian band members stealing men’s girlfriends at the band’s concert was made as much for laughs as protest. When it’s dangerous to be gay in many communities, in the United States and in other countries,
a satirical song about sexual relations is still political.

Fighting against political inequality, sexism and racism is part of the ethos of she-punk musicians. For Goldman, “these women all have their frontlines—global, national or domestic—and use punk as their weapon. Barrier-busting is their default mode; had they not created their own channels, in most cases, they would never have been heard.” Bursting through society’s frontlines and being heard are the goals of punk music in general. But for she-punk, the lyrics to Tanya Stephens “Welcome to the Rebelution” are a rhythmic reminder of what going
backwards looks like for women:

Came to past in the days of glorifying everything wrong
That the standard for girls became a bra and a thong
Wholesome values like curling up with a good book and a bong
Went out the window along with making a good song

The book is neither a manifesto nor filled with a series of scoldings. The author’s agenda is the same as the artists who she writes about—let women express their lives in their own ways. Read this book even if you don’t know, or like, punk music. You’ll be able to connect with the themes. If you like music of any kind, poetry or social history, this book will resonate with you as well. Reading this book is like walking across a rope bridge between two melting icebergs in high wind—you definitely won’t be bored.

Paul R. Kan

Paul R. Kan is the author of Hawai’i Beer: A History of Brewing in Paradise which was a North American Guild of Beer Writers’ award winner and a #1 new release on Amazon’s Books on Beer. He has written for Good Beer Hunting and is Editor-at-Large at The Beer Thrillers. Along with beer reviews, book reviews and interviews, he also writes about the interesting ways beer intersects with people and society. His current book project is Red, White and Brew: The Beers and Battles that Shaped America. He lives in Carlisle, Pennsylvania.

ʻOi kau ka lā, e hana i ola honua (While the sun yet shines, do all you can).

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The following are articles that Paul R. Kan has written here for The Beer Thrillers:

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The Beer Thrillers are a blog that prides itself on writing beer reviews, brewery reviews, travelogues, news (especially local to the Central PA brewery scene), as well as covering other topics of our interests – such as hiking, literature and books, board games, and video games which we sometimes stream with our friends over at Knights of Nostalgia. We are currently listed as #7 on FeedSpot’s “Top 100 Beer Blogs” and #8 on FeedSpot’s “Top 40 Pennsylvania Blogs”. (As of January 2023.) Thank you for reading our site today, please subscribe, follow, and bookmark. Please reach out to us if you are interested in working together. If you would like to donate to the blog you can here: Donate to The Beer Thrillers. Thank you!

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Book Review: The American Spirit: Who We Are and What We Stand For (David McCullough)

B. Kline — Fri, 31 May 2024 03:14:54 +0000

Book Review: The American Spirit: Who We Are and What We Stand For (David McCullough)

When you pick up a David McCullough book, you usually expect a sweeping, immersive journey through history — the kind of deep-dive that takes you from dusty archives to the front row of America’s most pivotal moments. McCullough has given us John Adams, Truman, 1776, The Wright Brothers — all hefty, research-packed works with rich storytelling.

The American Spirit by David McCullough

Book Blurb

This is the back of the book cover blurb, from GoodReads:

A New York Times Bestseller

A timely collection of speeches by David McCullough, the most honored historian in the United States—winner of two Pulitzer Prizes, two National Book Awards, and the Presidential Medal of Freedom, among many others—that reminds us of fundamental American principles.

Over the course of his distinguished career, David McCullough has spoken before Congress, the White House, colleges and universities, historical societies, and other esteemed institutions. Now, at a time of self-reflection in America following a bitter election campaign that has left the country divided, McCullough has collected some of his most important speeches in a brief volume designed to identify important principles and characteristics that are particularly American. The American Spirit reminds us of core American values to which we all subscribe, regardless of which region we live in, which political party we identify with, or our ethnic background. This is a book about America for all Americans that reminds us who we are and helps to guide us as we find our way forward.

– The American Spirit: Who We Are and What We Stand For (David McCullough) (GoodReads)

Book Review

The American Spirit: Who We Are and What We Stand For is a different kind of book. It’s lean. It’s quick. And it’s made up of a series of speeches McCullough delivered over the years to graduating classes, historical societies, and civic groups. Instead of one continuous narrative, you get short, reflective pieces, each with its own flavor, but all circling the same big themes: history matters, citizenship matters, optimism matters.

McCullough reminds us that knowing where we’ve been is essential to knowing who we are. He encourages curiosity, engagement, and pride in our shared past. His words are measured, dignified, and carry the weight of someone who’s spent a lifetime studying the American story. This is McCullough in teacher mode — not lecturing, but nudging, encouraging, and sometimes outright challenging us to do better.

Where the book succeeds: it’s inspiring. In a world that feels fractured and noisy, McCullough’s voice cuts through like a calm, steady guide. If you need a reminder of the values that have held the country together — hard work, perseverance, civic duty — this delivers.

Where the book falls short: it’s repetitive. Because it’s a compilation of speeches, you’ll notice certain lines, anecdotes, and themes pop up again and again. That’s natural for live addresses given to different audiences, but when read back-to-back in book form, it can feel like déjà vu. And if you’re used to McCullough’s more in-depth historical works, this might feel a bit light on detail.

Still, as a “sipper” rather than a “full pour,” The American Spirit works. It’s a book you can read in short bursts — maybe a speech over coffee, or while waiting for your latest homebrew batch to boil — and walk away feeling just a little more hopeful about the American experiment.

Best for:

Fans of McCullough who want something quick and uplifting.
Readers who enjoy historically rooted reflections on patriotism and civic engagement.
Anyone in need of a reminder that American history is more than dates and battles — it’s about values and the people who carry them forward.

Much like a good session beer, The American Spirit is easy to take in, doesn’t overwhelm, and leaves you with a pleasant aftertaste — even if it’s not the strongest pour in McCullough’s catalog.

My LibraryThing Rating: 3.5 Stars
My GoodReads Rating: 4 Stars (since they don’t do half stars, I decided to round up)
Average GoodReads Rating: 4.22 (as of 5.30.24)

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Book Review: I Drink For a Reason (David Cross)

B. Kline — Thu, 30 May 2024 03:34:26 +0000

I Drink for a Reason by David Cross

David Cross

David Cross in 2007 (photo courtesy of Wikipedia)

David Cross’s career is a tapestry of diverse comedic and dramatic endeavors, underscored by his sharp wit and distinctive voice. He first gained widespread attention in the 1990s with the HBO sketch comedy series Mr. Show with Bob and David, which he co-created and starred in alongside Bob Odenkirk. The show, known for its inventive and often surreal humor, became a cult favorite and established Cross as a significant figure in the comedy world. Mr. Show was lauded for its clever writing and ambitious sketches, earning critical acclaim and a devoted fan base that appreciated its subversive take on societal norms and pop culture.

Following the success of Mr. Show, Cross’s career continued to flourish with a mix of television, film, and stand-up comedy. Perhaps one of his most iconic roles is that of Tobias Fünke on the critically acclaimed sitcom Arrested Development. As the perpetually clueless, aspiring actor and “never-nude,” Cross delivered a performance that was both hilarious and endearing, further cementing his status as a versatile and talented comedian. His portrayal of Tobias became a standout in a show known for its ensemble cast, showcasing his ability to blend absurdity with a touch of humanity.

In addition to his work on television, Cross has also made a mark in the world of stand-up comedy and film. His stand-up specials, such as The Pride is Back and David Cross: Making America Great Again, are characterized by his fearless approach to controversial topics and his incisive social and political commentary. On the big screen, Cross has appeared in a variety of roles, from voice work in animated films like Kung Fu Panda to live-action comedies such as Alvin and the Chipmunks. Despite the broad range of projects he has undertaken, Cross remains consistent in his commitment to challenging the status quo and pushing the boundaries of comedy, making him a significant and enduring figure in contemporary entertainment.

The following about David Cross comes from his Wikipedia page: David Cross:

David Cross (born April 4, 1964)^[1] is an American stand-up comedian, actor, writer, and director. Cross is best known for his stand-up performances, the HBO sketch comedy series Mr. Show with Bob and David (1995–1998), and his role as Tobias Fünke in the Fox/Netflix sitcom Arrested Development (2003–2006, 2013–2019). He has been described as “ one of the defining figures of cult Gen X comedy”.^[2]

Cross created, wrote, executive produced, and starred in The Increasingly Poor Decisions of Todd Margaret (2010–2016); developed and had a prominent role in Freak Show (2006); appeared on Modern Family (2011–2012); and portrayed Ian Hawke in three of the live-action/animated films Alvin and the Chipmunks (2007), Alvin and the Chipmunks: The Squeakquel (2009), and Alvin and the Chipmunks: Chipwrecked (2011). Cross has also done voice work for the sitcom Oliver Beene (2003–2004), and has had lead voice-over roles in Curious George (2006), Battle for Terra (2007), the Kung Fu Panda film franchise (2008–2016), Megamind (2010), and Next Gen (2018).

In 1993, he won a Primetime Emmy Award for Outstanding Writing for a Variety Series for his work on The Ben Stiller Show. For Mr. Show with Bob and David, he gained three Primetime Emmy Award nominations, and for Arrested Development, Cross was nominated for a Satellite Award for Best Supporting Actor – Television Series, and, along with his cast, for three Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. For his stand-up specials, he was nominated for several Grammy Awards.

Wikipedia – David Cross

Book Review: I Drink For a Reason

The GoodReads blurb:

After a decade spent in isolation in the Ugandan jungles thinking about stuff, David Cross has written his first book. Known for roles on the small screen such as “never-nude” Tobias Funke on Arrested Development and the role of “David” in Mr. Show With Bob And David, as well as a hugely successful stand-up routine full of sharp-tongued rants and rages, Cross has carved out his place in American comedy. Whether deflating the pomposity of religious figures, calling out the pathetic symbiosis of pseudo-celebrity and its leaching fandom, or merely pushing the buttons of the way-too-easily offended P.C. left or the caustic, double-standard of the callous (but funnier) right, Cross has something to say about everyone, including his own ridiculous self.

Now, for the first time, Cross is weaving his media mockery, celebrity denunciation, religious commentary and sheer madness into book form, revealing the true story behind his almost existential distaste of Jim Belushi (“The Belush”), disclosing the up-to-now unpublished minutes to a meeting of Fox television network executives, and offering up a brutally grotesque run-in with Bill O’Reilly. And as if this wasn’t enough for your laughing pleasure in these troubled times, some of the pieces splinter off with additional material being created online in exclusive video and animated web content created solely for the book-a historical first (presumably)!

With a mix of personal essays, satirical fiction posing as truth, advice for rich people, information from America’s least favorite Rabbi and a top-ten list of top-ten lists, I DRINK FOR A REASON is as unique as the comedian himself, and cannot be missed.

GoodReads – I Drink For a Reason

David Cross’s I Drink For a Reason is a compelling amalgamation of sharp wit, irreverent humor, and biting social commentary. As a seasoned comedian and actor known for his work on Mr. Show and Arrested Development, Cross brings his distinctive voice to the page, offering a collection of essays, anecdotes, and rants that both entertain and provoke thought.

The book’s structure is delightfully chaotic, with each chapter serving as a standalone piece, allowing readers to dip in and out at their leisure. This format mirrors Cross’s stand-up style, where tangents and digressions often lead to some of the most insightful and hilarious moments. From lampooning Hollywood absurdities to critiquing religious fanaticism, Cross navigates a wide array of topics with a deft hand and a sharp tongue.

One of the standout features of I Drink For a Reason is Cross’s unapologetic and often self-deprecating honesty. He doesn’t shy away from sharing personal anecdotes that reveal his own vulnerabilities and flaws. This candidness, combined with his acerbic humor, creates a sense of intimacy with the reader, as if you’re sharing a late-night conversation with a particularly funny and insightful friend.

However, the book isn’t without its flaws. At times, Cross’s relentless sarcasm can feel overwhelming, and some of the jokes may fall flat or come across as too abrasive. Additionally, readers who are not already fans of Cross’s comedic style might find his humor polarizing or even off-putting. Despite these minor drawbacks, the book’s strengths far outweigh its weaknesses.

Cross’s ability to weave humor with incisive social critique is one of his greatest talents. In essays like “Why I Hate Vegans” and “An Open Letter to Larry the Cable Guy,” he dissects cultural phenomena with precision, offering perspectives that are both humorous and thought-provoking. His commentary on the absurdities of modern life, particularly in the realms of entertainment and politics, is both timely and timeless.

In conclusion, I Drink For a Reason is a must-read for fans of David Cross and those who appreciate comedy that challenges the status quo. It’s a book that invites readers to laugh, think, and perhaps see the world from a slightly skewed, yet refreshingly honest, perspective. While it may not be everyone’s cup of tea—or rather, everyone’s preferred drink—those who enjoy Cross’s brand of humor will find it a thoroughly enjoyable and engaging read.

My GoodReads Rating: ***
My LibraryThing Rating: ***1/2
Global Average GoodReads Rating: 3.34 (as of 5.29.24)

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Book Review: The Homebrewer’s Garden: How to Easily Grow, Prepare, and Use Your Own Hops, Malts, Brewing Herbs (Joe Fisher and Dennis Fisher)

B. Kline — Tue, 30 Apr 2024 04:15:31 +0000

The Homebrewer’s Garden: How to Easily Grow, Prepare, and Use Your Own Hops, Malts, Brewing Herbs by Joe Fisher and Dennis Fisher

Homebrewing

Homebrewing is a fascinating and rewarding hobby that allows beer enthusiasts to create their own unique brews from the comfort of their homes. The process involves combining basic ingredients—malted grains, hops, yeast, and water—in specific ways to produce a wide variety of beer styles. Homebrewing offers an incredible amount of creative freedom, as brewers can experiment with different ingredients and techniques to craft beers that match their personal tastes and preferences. This DIY approach not only deepens one’s appreciation for the art and science of brewing but also provides a sense of accomplishment with each successful batch.

The journey of homebrewing typically begins with selecting a recipe and gathering the necessary equipment and ingredients. Beginner brewers often start with extract brewing, which uses malt extract to simplify the process. This method requires less equipment and shorter brew times, making it accessible for newcomers. As brewers gain experience and confidence, many transition to all-grain brewing, which involves mashing malted grains to extract fermentable sugars. All-grain brewing offers greater control over the beer’s flavor and body, allowing for more nuanced and complex brews. Essential equipment for homebrewing includes a large kettle, fermenter, airlock, thermometer, hydrometer, and bottling supplies.

The brewing process itself is a blend of science and art. It begins with mashing, where crushed grains are soaked in hot water to convert starches into sugars. The resulting liquid, called wort, is then boiled, and hops are added at various stages to impart bitterness, flavor, and aroma. After boiling, the wort is rapidly cooled and transferred to a fermenter, where yeast is added to begin fermentation. During this stage, which can last from a few days to several weeks, the yeast consumes the sugars in the wort, producing alcohol and carbon dioxide. Monitoring and maintaining proper fermentation temperatures is crucial for ensuring the desired characteristics of the final beer.

After fermentation, the beer is typically conditioned for a period to develop its flavors and carbonation. This can be done in bottles or kegs, with the addition of a small amount of sugar or pressurized CO2 to create carbonation. Patience is key during this phase, as conditioning can take several weeks, but the wait is usually well worth it. Once conditioning is complete, the beer is ready to be enjoyed. Homebrewers often take pride in sharing their creations with friends and family, and the feedback received can be invaluable for refining future batches.

One of the most exciting aspects of homebrewing is the community that comes with it. Homebrewers are a passionate and supportive group, often eager to share tips, recipes, and experiences. Many cities have homebrew clubs where members can exchange knowledge and sample each other’s beers. Online forums and social media groups also provide a wealth of information and camaraderie. Whether brewing solo or with a group, homebrewing is a hobby that fosters creativity, learning, and a deeper appreciation for the craft of beer making. It’s a journey filled with experimentation, occasional challenges, and the ultimate reward of enjoying a beer that’s truly your own.

Growing Hops

Growing hops is a rewarding endeavor for homebrewers looking to infuse their beer with fresh, homegrown ingredients. Hops are the flowers of the hop plant (Humulus lupulus), and they play a crucial role in brewing by adding bitterness, flavor, and aroma to beer. The first step in growing hops is selecting the right variety based on your climate and the flavor profile you desire. Popular varieties like Cascade, Centennial, and Chinook are favored by many brewers for their versatility and distinctive characteristics. Hops require a sunny location with well-drained soil, and they thrive in temperate climates with long days during the growing season.

Once you’ve chosen your hop varieties, the next step is planting. Hops are typically grown from rhizomes, which are root cuttings taken from mature plants. Plant the rhizomes in early spring, about 4-6 inches deep, and space them about 3 feet apart to give each plant plenty of room to grow. As hops are vigorous climbers, it’s essential to provide a sturdy trellis or support system for the bines (the stems of the hop plant) to climb. Regular watering, especially during dry periods, and mulching around the base of the plants can help retain moisture and keep the roots cool.

Caring for hops involves regular maintenance to ensure healthy growth and a bountiful harvest. Hops can grow up to 20 feet in a single season, so training the bines to climb the trellis is crucial. Pruning the lower leaves and shoots encourages airflow and reduces the risk of disease. Hops are susceptible to pests such as aphids and spider mites, as well as diseases like powdery mildew. Regular inspection and prompt treatment with appropriate organic or chemical controls can help manage these issues. By late summer, the hop cones will begin to ripen, and you’ll know they are ready to harvest when they feel dry and papery, and the lupulin glands inside the cones are a vibrant yellow. After harvesting, the hops should be dried and stored properly to preserve their qualities for brewing.

Book Review: The Homebrewer’s Garden: How to Easily Grow, Prepare, and Use Your Own Hops, Malts, Brewing Herbs by Joe Fisher and Dennis Fisher

GoodReads Blurb:

Grow a beer garden! Enhance the flavor, aroma, and personality of your homebrew by cultivating your own hops, herbs, and malt grains. With expert advice on choosing and maintaining the best plants for your needs, Joe Fisher and Dennis Fisher show you how to turn a small patch of backyard, or even a few window boxes, into a renewable brewing supply store. Discover the satisfaction that comes from brewing tasty beers using fresh homegrown ingredients.

GoodReads – The Homebrewer’s Garden

The Homebrewer’s Garden by Joe Fisher and Dennis Fisher is an essential guide for any homebrewer looking to elevate their craft by cultivating their own ingredients. This comprehensive manual covers the entire process of growing, preparing, and utilizing hops, malts, and brewing herbs, making it a valuable resource for both novice and experienced brewers who wish to take a hands-on approach to their beer-making.

One of the book’s greatest strengths is its detailed and practical advice on gardening techniques tailored specifically for brewing ingredients. The Fishers draw from their extensive experience to provide step-by-step instructions on planting, nurturing, and harvesting hops and other plants. They also include information on soil preparation, pest management, and seasonal care, ensuring that readers have all the tools they need to successfully grow high-quality ingredients. The authors’ passion for homebrewing and gardening shines through, making the text engaging and accessible.

Beyond gardening, The Homebrewer’s Garden delves into the preparation and use of these homegrown ingredients in brewing. The book offers a wealth of recipes and brewing tips, demonstrating how to incorporate fresh hops, malted grains, and herbs into a variety of beer styles. The inclusion of unique brewing herbs like yarrow, juniper, and coriander adds an exciting dimension for brewers looking to experiment with flavors and create distinctive brews. This holistic approach, from garden to glass, empowers homebrewers to craft beers that are truly their own, imbued with the flavors and aromas of their own gardens.

In conclusion, The Homebrewer’s Garden is an invaluable resource that combines practical gardening advice with creative brewing techniques. Joe and Dennis Fisher have crafted a guide that is not only informative but also inspiring, encouraging homebrewers to explore the full potential of their craft. Whether you’re just starting out or looking to refine your brewing process with homegrown ingredients, this book is a must-have addition to your brewing library.

My GoodReads Rating: ***
My LibraryThing Rating: ***1/2
Global Average GoodReads Rating: 3.75 (as of 4.30.24)

Homebrewing Recipes

We are circling back to include more homebrew articles. We have gotten some requests for recipes, so we have decided to write them up and post them here. Be sure to check for other Homebrew articles and recipes as well!

Homebrewing Articles

The Ultimate Guide to Homebrewing: Tips, Tricks, and Best Practices for 2024

Other Book Reviews

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Book Review: Here is New York (E.B. White)

B. Kline — Thu, 29 Feb 2024 14:01:26 +0000

Here is New York by E.B. White

E.B. White

White on the beach with his dachshund Minnie (photo courtesy of Wikipedia)

The following comes via Wikipedia:

Elwyn Brooks White (July 11, 1899 – October 1, 1985)^[1] was an American writer. He was the author of several highly popular books for children, including Stuart Little (1945), Charlotte’s Web (1952), and The Trumpet of the Swan (1970).

In a 2012 survey of School Library Journal readers, Charlotte’s Web was ranked first in their poll of the top one hundred children’s novels.^[2] White also was a contributing editor to The New Yorker magazine and co-author of The Elements of Style, an English language style guide.

Wikipedia – E.B. White

After graduating from Cornell, White went to work for the United Press, later United Press International, and the American Legion News Service in 1921 and 1922. From September 1922 to June 1923, he was a cub reporter for The Seattle Times. On one occasion, when White was stuck writing a story, a Times editor said, “Just say the words.”^[15]

White was fired from the Times and later wrote for the rival Seattle Post-Intelligencer before a stint in Alaska on a fireboat.^[16] He then worked for almost two years with the Frank Seaman advertising agency as a production assistant and copywriter^[17] before returning to New York City in 1924.

In 1925, after The New Yorker was founded, White began submitting manuscripts to the magazine. Katharine Angell, the literary editor, recommended to editor-in-chief and founder Harold Ross that White be hired as a staff writer. However, it took months to convince White to attend a meeting at the office and additional weeks to convince him to work on the premises. He eventually agreed to work in the office on Thursdays.^[18]

White published his first article for The New Yorker in 1925, then joined the staff in 1927, and continued to write for the magazine for nearly six decades. Best recognized for his essays and unsigned “Notes and Comment” pieces, he gradually became the magazine’s most important contributor. From the beginning to the end of his career at The New Yorker, he frequently provided what the magazine calls “Newsbreaks”, which were short, witty comments on oddly worded printed items from many sources, under various categories, such as “Block That Metaphor.” He also was a columnist for Harper’s Magazine from 1938 to 1943.

In 1949, White published Here Is New York, a short book based on an article he had been commissioned to write for Holiday. Editor Ted Patrick approached White about writing the essay, telling him it would be fun. “Writing is never ‘fun'”, White replied.^[19] That article reflects the writer’s appreciation of a city that provides its residents with both “the gift of loneliness and the gift of privacy.” It concludes with a dark note touching on the forces that could destroy the city that he loved. This prescient “love letter” to the city was re-published in 1999 on his centennial with an introduction by his stepson, Roger Angell.

In 1959, White edited and updated The Elements of Style. This handbook of grammatical and stylistic guidance for writers of American English was first written and published in 1918 by William Strunk Jr., one of White’s professors at Cornell. White’s reworking of the book was extremely well received, and later editions followed in 1972, 1979, and 1999. Maira Kalman illustrated an edition in 2005. That same year, Nico Muhly, a New York City composer, premiered a short opera based on the book. The volume is a standard tool for students and writers and remains required reading in many composition classes. The complete history of The Elements of Style is detailed in Mark Garvey’s Stylized: A Slightly Obsessive History of Strunk & White’s The Elements of Style.

Wikipedia – E.B. White (Career)

GoodReads Blurb

The back of the book blurb cover reads:

Perceptive, funny, and nostalgic, E.B. White’s stroll around Manhattan remains the quintessential love letter to the city, written by one of America’s foremost literary figures. The New York Times has named Here is New York one of the ten best books ever written about the metropolis, and The New Yorker calls it “the wittiest essay, and one of the most perceptive, ever done on the city.

Here is New York (GoodReads)

Book Review

“Here is New York” by E.B. White is a remarkable essay that has achieved the status of a classic for its timeless portrayal of New York City. Originally published in 1949, the essay remains a powerful evocation of the character and spirit of the city. Despite its brevity, White’s essay captures the essence of New York City in a prose that is both lyrical and sharply observant, offering readers a nuanced glimpse into its complexities and contradictions.

In this essay, White divides New York into three distinct categories: the city for natives, the city for commuters, and the city for newcomers. Each group interacts with the city in a unique way, shaping and being shaped by it. White’s analysis reveals the layers of New York’s identity, showing how the city is a place of endless possibilities and inevitable loneliness, where one can be surrounded by millions yet still feel isolated.

White’s writing is beautifully precise, imbued with a nostalgic yet clear-eyed tone that avoids sentimentality. His observations are often prophetic, touching on issues such as overpopulation, gentrification, and the loss of individuality—issues that are even more relevant today than they were in the mid-20th century. For instance, he notes, “The city, for the first time in its long history, is destructible,” a line that carries chilling resonances post-September 11, 2001.

“Here is New York” also excels in its vivid imagery. White masterfully sketches scenes from the streets, capturing the bustling life and the architectural marvels that define the cityscape. His essay reads like a love letter to New York, penned by someone who understands its imperfections yet is completely enamored by its dynamic character.

At its core, “Here is New York” is both a personal reflection and a universal declaration of one of the most iconic cities in the world. It speaks not only to those who have lived in or visited New York but also to anyone who has ever dreamed of such an experience. The essay’s lasting appeal lies in its ability to capture the enduring spirit of New York City—a metropolis that constantly reinvents itself while remaining unmistakably the same.

This essay is a must-read for anyone interested in New York, urban life, or the art of masterful essay writing. It is a short read, but its impact is profound, offering insights that will linger long after the last page is turned.

My GoodReads Rating: ****
My LibraryThing Rating: ***.5
Global Average GoodReads Rating: 4.29 (as of 2.29.24)

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Book Review: Fart Proudly: Writings of Benjamin Franklin You Never Read in School (Benjamin Franklin)

B. Kline — Thu, 15 Feb 2024 03:20:59 +0000

Fart Proudly: Writings of Benjamin Franklin You Never Read in School (writings by Benjamin Franklin)

Fart Proudly

How can you pass up a book titled “Fart Proudly” when browsing through a library book sale? I don’t think I could have spent 50 cents any better than picking this up. I would be doing myself, and all around me a disservice if I didn’t purchase it.

Thats one of the best things about these library booksales (and I love going to them, I go regularly to the Hershey Public Library Book Sale, the Hummelstown one at William H. and Marion C. Alexander Library, as well as the Middletown Public Library Book Sale, the Elizabethtown Public Library Book Sale, the Palmyra Library Book Sale, and others); you can find books like this. Books that you had no idea even existed let alone knew that you needed or wanted. And their just a quarter, or fifty scents, or at most two dollars.

Benjamin Franklin

From Wikipedia:

Benjamin Franklin FRS FRSA FRSE (January 17, 1706 [O.S. January 6, 1705]^{[Note 1]} – April 17, 1790) was an American polymath, a leading writer, scientist, inventor, statesman, diplomat, printer, publisher, and political philosopher.^[1] Among the most influential intellectuals of his time, Franklin was one of the Founding Fathers of the United States; a drafter and signer of the Declaration of Independence; and the first postmaster general.^[2]

Franklin became a successful newspaper editor and printer in Philadelphia, the leading city in the colonies, publishing the Pennsylvania Gazette at age 23.^[3] He became wealthy publishing this and Poor Richard’s Almanack, which he wrote under the pseudonym “Richard Saunders”.^[4] After 1767, he was associated with the Pennsylvania Chronicle, a newspaper known for its revolutionary sentiments and criticisms of the policies of the British Parliament and the Crown.^[5]

He pioneered and was the first president of the Academy and College of Philadelphia, which opened in 1751 and later became the University of Pennsylvania. He organized and was the first secretary of the American Philosophical Society and was elected its president in 1769. He was appointed deputy postmaster-general for the British colonies in 1753,^[6] which enabled him to set up the first national communications network.

He was active in community affairs and colonial and state politics, as well as national and international affairs. Franklin became a hero in America when, as an agent in London for several colonies, he spearheaded the repeal of the unpopular Stamp Act by the British Parliament. An accomplished diplomat, he was widely admired as the first U.S. ambassador to France and was a major figure in the development of positive Franco–American relations. His efforts proved vital for the American Revolution in securing French aid.

From 1785 to 1788, he served as President of Pennsylvania. At some points in his life, he owned slaves and ran “for sale” ads for slaves in his newspaper, but by the late 1750s, he began arguing against slavery, became an active abolitionist, and promoted the education and integration of African Americans into U.S. society.

As a scientist, his studies of electricity made him a major figure in the American Enlightenment and the history of physics. He also charted and named the Gulf Stream current. His numerous important inventions include the lightning rod, bifocals, and the Franklin stove.^[7] He founded many civic organizations, including the Library Company, Philadelphia‘s first fire department,^[8] and the University of Pennsylvania.^[9] Franklin earned the title of “The First American” for his early and indefatigable campaigning for colonial unity. Foundational in defining the American ethos, Franklin has been called “the most accomplished American of his age and the most influential in inventing the type of society America would become”.^[10]

His life and legacy of scientific and political achievement, and his status as one of America’s most influential Founding Fathers, have seen Franklin honored for more than two centuries after his death on the $100 bill and in the names of warships, many towns and counties, educational institutions, and corporations, as well as in numerous cultural references and a portrait in the Oval Office. His more than 30,000 letters and documents have been collected in The Papers of Benjamin Franklin.

Benjamin Franklin – Wikipedia

Fart Proudly: Writings of Benjamin Franklin You Never Read in School GoodReads Blurb

Before we get into the book review, lets dive into the back of the book’s blurb, as per GoodReads:

A mention of flatulence might conjure up images of bratty high school boys or lowbrow comics. But one of the most eloquent—and least expected—commentators on the subject is Benjamin Franklin. The writings in Fart Proudly reveal the rogue who lived peaceably within the philosopher and statesman. Included are “The Letter to a Royal Academy”; “On Choosing a Mistress”; “Rules on Making Oneself Disagreeable”; and other jibes. Franklin’s irrepressible wit found an outlet in perpetrating hoaxes, attacking marriage and other sacred cows, and skewering the English Parliament. Reminding us of the humorous, irreverent side of this American icon, these essays endure as both hilarious satire and a timely reminder of the importance of a free press.

Fart Proudly: Writings of Benjamin Franklin You Never Read in School – GoodReads

Book Review: Fart Proudly: Writings of Benjamin Franklin You Never Read in School

“Fart Proudly: Writings of Benjamin Franklin You Never Read in School” is a compilation that presents a different side of one of America’s founding fathers, Benjamin Franklin. Edited by Carl Japikse, this collection brings together some of Franklin’s more humorous and lesser-known writings, showcasing his wit, irreverence, and intellectual playfulness.

This book serves as a reminder that Franklin was not just a statesman, scientist, and philosopher but also a master of satire and humor. The title itself, “Fart Proudly,” refers to an actual essay written by Franklin that satirically suggests scientific research into making flatulence smell pleasant. This essay, alongside others in the collection, highlights Franklin’s ability to use humor to provoke thought on societal norms and scientific inquiry.

The compilation includes a variety of pieces, such as essays, letters, and hoaxes, many of which might surprise readers familiar only with Franklin’s more formal and well-known public writings. For example, his witty letter to the Royal Academy of Brussels, where he mockingly proposes that research should be conducted to diminish the offensive smell of human flatulence, is both an exercise in satire and an ingenious critique of the sometimes absurd pursuits of scientific societies.

Japikse does a commendable job in curating these texts, not only by selecting content that illustrates Franklin’s playful side but also by providing context that helps modern readers understand the 18th-century references and humor. This contextual information is crucial, as it allows readers to appreciate the cleverness and impact of Franklin’s words during his time.

“Fart Proudly” also reveals Franklin’s progressive thoughts on personal freedoms and societal improvements. Even through his humorous writings, he challenged social norms, criticized political structures, and advocated for intellectual freedom and improvement of the human condition. His sharp wit was not merely for entertainment but often served a larger purpose, encouraging his readers to think critically and skeptically about the world around them.

Overall, “Fart Proudly” is not just an anthology of forgotten writings but a delightful glimpse into the playful and cunning mind of Benjamin Franklin. It’s an engaging read for anyone interested in American history, literature, or political satire. The book serves as a potent reminder of the power of humor in communication and the timeless quality of Franklin’s intellect and wit. This collection is recommended for readers who enjoy a mix of history, humor, and unconventional perspectives from one of America’s most influential figures.

My GoodReads Rating: ***
My LibraryThing Rating: ***1/2
Global Average GoodReads Rating: 3.79 (as of 2.14.24)

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Book Review: Create Dangerously (Albert Camus)

B. Kline — Tue, 13 Feb 2024 18:16:53 +0000

Create Dangerously by Albert Camus

Create Dangerously

Live dangerously, think dangerously, create dangerously. This can be a wonderful way to sum up the life – and writings – of Albert Camus. One of my favorite writers, his works have profoundly touched me in my own writing, in my own way of thinking, and my life in general. One of my biggest inspirations for writing, alongside Kurt Vonnegut, George Orwell, Spinoza, Antonie de Saint Exupery, Aldous Huxley, Philip K. Dick, Nietzsche, and a host of others. Creating dangerously is something that gets to the core of writing, and gets to the core of what writers SHOULD do. It doesn’t mean “no fear or no worries” but it does mean to take risks, to write what needs to be written, to create what needs to be created. Art for art’s sake. To hell with the dictator, to hell with the public, to hell with who might cause you trouble for the creation. Create dangerously. Think dangerously. Live dangerously.

Albert Camus

Portrait of Albert Camus from New York World-Telegram and Sun Photograph Collection, 1957 (photo courtesy of Wikipedia)

Albert Camus was a famous writer, an existentialist writer that helped herald in the existentialist movement alongside Sartre and others. His “brand” of Existentialism was “Absurdism”, insofar as that life has no inherent meaning and it is up to us to find meaning, or to find purpose, or to just live, in an absurd world.

The following comes from his biography on Wikipedia:

Albert Camus (/kæmˈuː/^[2] kam-OO; French: [albɛʁ kamy] ^ⓘ; 7 November 1913 – 4 January 1960) was a French philosopher, author, dramatist, journalist, world federalist,^[3] and political activist. He was the recipient of the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history. His works include The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel.

Camus was born in Algeria during the French colonization, to pied-noir parents. He spent his childhood in a poor neighbourhood and later studied philosophy at the University of Algiers. He was in Paris when the Germans invaded France during World War II in 1940. Camus tried to flee but finally joined the French Resistance where he served as editor-in-chief at Combat, an outlawed newspaper. After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed Joseph Stalin and the Soviet Union because of their totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism. He was part of many organisations seeking European integration. During the Algerian War (1954–1962), he kept a neutral stance, advocating for a multicultural and pluralistic Algeria, a position that was rejected by most parties.

Philosophically, Camus’ views contributed to the rise of the philosophy known as absurdism. Some consider Camus’ work to show him to be an existentialist, even though he himself firmly rejected the term throughout his lifetime.

Albert Camus – Wikipedia

Absurdism

Absurdism is the philosophical thesis that life, or the world in general, is absurd. There is wide agreement that the term “absurd” implies a lack of meaning or purpose but there is also significant dispute concerning its exact definition and various versions have been suggested.^[1]^[2]^[3]^[4]^[5] The choice of one’s definition has important implications for whether the thesis of absurdism is correct and for the arguments cited for and against it: it may be true on one definition and false on another.^[6]

In a general sense, the absurd is that which lacks a sense, often because it involves some form of contradiction. The absurd is paradoxical in the sense that it cannot be grasped by reason.^[7]^[8]^[9] But in the context of absurdism, the term is usually used in a more specific sense. According to most definitions, it involves a conflict, discrepancy, or collision between two things. Opinions differ on what these two things are.^[1]^[2]^[3]^[4] For example, it is traditionally identified as the confrontation of rational man with an irrational world or as the attempt to grasp something based on reasons even though it is beyond the limits of rationality.^[10]^[11] Similar definitions see the discrepancy between intention and outcome, between aspiration and reality, or between subjective assessment and objective worth as the source of absurdity.^[1]^[3] Other definitions locate both conflicting sides within man: the ability to apprehend the arbitrariness of final ends and the inability to let go of commitments to them.^[4] In regard to the conflict, absurdism differs from nihilism since it is not just the thesis that nothing matters. Instead, it includes the component that things seem to matter to us nonetheless and that this impression cannot be shaken off. This difference is expressed in the relational aspect of the absurd in that it constitutes a conflict between two sides.^[4]^[1]^[2]

Various components of the absurd have been suggested and different researchers often focus their definition and inquiry on one of these components. Some accounts emphasize the practical components concerned with the individual seeking meaning while others stress the theoretical components about being unable to know the world or to rationally grasp it. A different disagreement concerns whether the conflict exists only internal to the individual or is between the individual’s expectations and the external world. Some theorists also include the metacognitive component that the absurd entails that the individual is aware of this conflict.^[2]^[3]^[12]^[4]

An important aspect of absurdism is that the absurd is not limited to particular situations but encompasses life as a whole.^[2]^[1]^[13] There is a general agreement that people are often confronted with absurd situations in everyday life.^[7] They often arise when there is a serious mismatch between one’s intentions and reality.^[2] For example, a person struggling to break down a heavy front door is absurd if the house they are trying to break into lacks a back wall and could easily be entered on this route.^[1] But the philosophical thesis of absurdism is much more wide-reaching since it is not restricted to individual situations, persons, or phases in life. Instead, it asserts that life, or the world as a whole, is absurd. The claim that the absurd has such a global extension is controversial, in contrast to the weaker claim that some situations are absurd.^[2]^[1]^[13]

The perspective of absurdism usually comes into view when the agent takes a step back from their individual everyday engagements with the world to assess their importance from a bigger context.^[4]^[2]^[14] Such an assessment can result in the insight that the day-to-day engagements matter a lot to us despite the fact that they lack real meaning when evaluated from a wider perspective. This assessment reveals the conflict between the significance seen from the internal perspective and the arbitrariness revealed through the external perspective.^[4] The absurd becomes a problem since there is a strong desire for meaning and purpose even though they seem to be absent.^[7] In this sense, the conflict responsible for the absurd often either constitutes or is accompanied by an existential crisis.^[15]^[14]

Absurdism – Wikipedia

Book Review: Create Dangerously by Albert Camus

‘To create today is to create dangerously’

Camus argues passionately that the artist has a responsibility to challenge, provoke and speak up for those who cannot in this powerful speech, accompanied here by two others.

Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York’s underground scene to the farthest reaches of outer space.

Create Dangerously (Back of Book Blurb) – GoodReads

As I said above in the introduction to this review – “live dangerously, think dangerously, create dangerously” could be a motto for Albert Camus. And its at the heart of what this small little book is all about. This tract is only 53 pages, of a small sized book. Its fast paced but not a quick easy read, you can easily find yourself reading over a page to regain, or to reorient, or to reread what you just read. Fully embracing, falling into what Camus is saying. Its two essays and one speech, but it packs so much into these 53 pages. I believe the two essays were also at one time used as speeches as well. So, in that sense this is just three speeches laid out in essay form each.

According to a quick Google search, the three speeches were:

CREATE DANGEROUSLY – University of Uppsala, 1957
DEFENSE OF INTELLIGENCE – L’Amitié Française, 1945
BREAD AND FREEDOM – Labour Exchange of Saint-Étienne, 1953

The artist, the writer, the author, the creator is propelled to create, to do so, to not be silenced. It is imperative for a writer, for an artist; to do what is right to him or herself. To write or create regardless of what penalties one might face, no matter the force and the opposition. One is forced by all that is strong and right in the world, to create, no matter the outcome.

Lets break down the individual speeches / essays a bit more:

1) Create Dangerously

Camus is deeply concerned about the tormented relationship between the artist and the public, that is, the society in which he lives. Because the art of nowadays must deal with the masses. It must accept to be either engaged in some kind of historical commitment or corrupt by popularization, a choice the old masters had always been spared until the middle class prevailed and culture became accessible to the masses.

Today everything is changed and even silence has dangerous implications. To create today is to create dangerously. Any publication is an act, and that act exposes one to the passions of an age that forgives nothing. The question is how, among the police forces of so many ideologies, the strange liberty of creation is possible.

…

We know now that they exist, because the masses have become stronger and keep people from forgetting them.

Albert Camus – Create Dangerously

Camus is not blinded, nor is he ignorant of ideological faith and bias and prejudices. He’s perfectly aware of the implications of the so-called Socialistic Realism of his time, a delusional attempt to depict a ‘leftist’ reality that inevitably became mere propaganda: the masses were to be portrayed only as the ideal masses of the red utopia, and the writer’s grasp on reality could only be focused on the future – that is, on the non-existent. What we need today is, according to Camus, a creativity that is aware of its own potential. Today’s art is threatened by a dangerous lack of contact with the physical and emotional reality of life.

One of the many reasons I find Camus endearing, and more interesting than most other existentialist writers (like Sartre, or Kierkegard, or Weil) is that he is optimistic. He is looking forward, he is proud of where he is, proud of the future for mankind, and doesn’t have such a bleak and irreverent view of what mankind is or the future of mankind. Camus’ vision is hardly the bleak, depressing cliché of so many existentialists. He forwards an ideal concept of art as an achievement of all mankind throughout history, a common endeavor and a common task of both writers and readers. “Every man, on the foundation of his own suffering and joys, builds for all.” This may not be the core of Existentialism, but it certainly is the core of Existence.

2) Defense of Intelligence

It is interesting that as a system, as a society, that we have to “defend intelligence”. That intelligence, that reasoning and rationale, is in need of defense. That rational thinking, that reasoning, that intelligence isn’t the end goal in and of itself. But sadly, this is where we are at – and here he is talking of this in the 50s. And now, in the 2020’s, so little progress has been made, if anything, we have regressed on intelligence, regressed on our anti-academic and anti-scholarly work, regressed on our positions, our desire for intelligence, our desire for reasoning.

His speech here, done in 1945, was quick, and short, ten minutes, and aimed at France. Aimed at a nation just starting to heal and cure itself of all the wounds from all the recent tragedies that it has endured. n order to overcome the hatred and tension left behind by the war, Camus says, any desire for revenge must be put aside once and for all. Only a new political mentality can lead to a new start and a real change, in which there are neither partisans nor collaborators anymore.

What determined the fall of European civilisation and the ascent of barbaric dictatorships was the lack of respect for intelligence and intellectuals, who had been conveniently used as a scapegoat – or an enemy – by most governments.

The last and most long-lived victory of Hitlerism is to be found in the shameful scars made on the hearts of those who fought it most vigorously.

Albert Camus – Defense of Intelligence

3) Bread and Freedom

The last of the speeches / essays in “Create Dangerously” – this speech was delivered in 1953 for a labor exchange. A critique of the exploitation of freedom, shamelessly betrayed by the Soviet Revolution and often seen by the western government as an annoying ‘inconvenience’ of democracy. Once again indeed, Camus’ thought is not influenced by any political faction.

In this, he discusses how freedom – human freedom – are the same as justice. No justice can be devoid of intellectual freedom, and no intelligence can exist without social justice. Prejudices, biases, hatred, cannot exist within intelligence. An intelligent man cannot hate willfully and ignorantly. For reasons without merit. (ie. the color of someone’s skin, or who they love, or gender, etc.) This speech also shows the most unexpectedly, delightfully optimistic Camus, eventually suggesting a universal brotherhood between the intellectual and the worker as their only chance to fight back whenever their freedom is in danger.

Its amazing how timeless these three essays / speeches feel. How relevant they are in 2024 (with the upcoming election especially playing heavily in all of our minds, as well as the past several years with COVID, and American politics, and the wars that have started), and how timeless and prescient they feel. The issues at hand in these speeches are still issues at hand. Propaganda, freedom of speech, not giving into hatred, intellectual freedom, social justice, justice as a whole, human freedom, the role of an artist, etc – it all is as relevant today as it was in 1945, 1953, and 1957. We lost Albert Camus too early, too young. His words and wisdom are still needed to this day, and he should be essential reading for everyone. Not just artists.

Freedom is not a gift received from a State or a leader but a possession to be won every day by the effort of each and the union of all.

Albert Camus

My GoodReads Rating: ****
My LibraryThing Rating: ****.5
Global GoodReads Rating: 3.82 (as of 2.13.24)

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